June 20, 1970: Barbara St. Clair and the Pin-Kooshins
On the morning that I started at The
The subjects of this story had the chops and the
status to play there on a regular basis. They also were unlucky enough to have
left all their equipment in the place on the night it went up in flames.
Their fabulous vocalist, Barbara St. Clair, went on to
renown as
June 20, 1970
Originality Their Bag
Pin-Kooshins Try
To Write Their Own Hits
It’s the middle of the night – 11 a.m. And that miserable
morning sun hurts, it’s so bright. This group played until 2 last night.
Obviously this is another hard time. What do you do with a
hard time? Make it into a funny game or something. Right?
“Hey, you better watch out for The Grauser,” warns Ron (Jake)
Jakubowski, the organist. “He’s mean.”
* * *
SANDY-HAIRED,
mustached Ron Zalewski, the drummer, noodles on a flute and peers at you from
behind his wire-rimmed glasses. Mean? You can’t be sure he isn’t.
The Grauser’s finest super-human moment, they say, was in a
Or, get this, they’re teeing off at the golf club and all
these people are making fun of Ron, he had his beard then, because he looks so
strange.
Well, Jake starts this rumor that Ron is the eccentric son of
a brewery owner – worth $15 million – and the crowd is buzzing as Ron
painstakingly lines up his drive.
So what happens? The ball bounces about 15 feet and dies.
Nobody dares say a word.
* * *
EVEN BASS
player Carmen Castiglione got it. Right after he joined last July, the group
was down in
“They spent the whole trip trying to drive me crazy,” Carm
says. “I find out later they’re just teasing me.”
* * *
THE HOTEL
may have been a lot of laughs, but the recording sessions weren’t. They had
just signed with a well-known independent producer, a guy Moe knew from 1965, a
guy who, along with Bob Crewe, produced a group Moe was in.
“It was a classic case of a
* * *
THE PRODUCER
wanted to take the group’s original songs and gave them four other tunes to
learn and record in four days. The contract, which expires soon, provided for
recording four songs, but nothing about releasing them. So no records.
“I’d like to nail that guy,” Moe says. “With a spike.”
This was barely 18 months after the group’s other setback –
the fire at The Inferno in September 1968. $10,000 worth of their equipment
burned. No insurance.
Jake still has the burned-out amplifier section from his
Hammond B-3. He was in
“After that, we were playing with borrowed equipment,” Jake
says, “mismatched equipment …”
“And determination,” Barbara injects.
“All it means is that it’s taking us longer to make it,” Moe
says. “I wanna make it so I can just sit back and take it easy. I want a yacht.
A place in the country.”
When the group began, it was natural to use Barbara’s voice
for soul songs. And maybe the guys would do a couple of light jazz-like
numbers. Now, although people think of them as a soul group, things have
changed.
“Right now,” Carm explains, “we’re trying to be one group. It
used to be we’d do some tunes, then Barb’d come up. People would say we were
two different groups.”
“Now we’re writing all these things,” Jake adds. Most of the
songs are his or Moe’s, with arrangement help from everybody. “We probably play
more original material than any group in
“And,” Carm says, “we’re trying to work on harmonies …”
* * *
BARBARA
throws her coffee stirrer at him. “I thought those harmonies were good. He says
TRY-ing.”
“We’re almost like a new group,” Jake says. “We’re even
thinking of changing our name.”
“Originals run us into hassles, though,” Ron says. “This one
owner says: ‘Chart tunes, chart tunes.’”
“This place tonight, it’s the same way,” manager Frank
Sansone says from over on a battered couch.
“One of our favorite sayings,” Jake says, “is when somebody
says: ‘Did you hear that group, how they do
* * *
DESPITE THIS,
they’ve worked up things like “Love on a Two-Way Street,” the new Delfonics
song, and “Into the Mystic.” And they don’t turn down club dates.
Tonight they’re at the Cove in
“It’s hard,” Ron says, “to get your music across and find
your own groove. You have to find a balance to make the owner happy and make
the kids happy and make yourself happy.”
“I can’t say we’re that popular,” Carm adds, “but as far as
group-wise musically thinking together we’re probably one of the tightest
groups in the city. We all have basically the same ideas.”
“They can’t bag us,” Jake says. “We just like to play good music. We wouldn’t do ‘Sugar Sugar’ because that’s not our thing. We like good music and that’s it.”
And now the box/sidebar
Some pertinent and impertinent information about Barbara St. Clair and the Pin-Kooshins:
Don (Jake) Jakubowski, 23, organist, born on the
Scorpio-Sagittarius line,
Ron Zalewski, 23, drummer, Capricorn,
John (Moe) Mahoney, 23, guitarist, Aquarius, South Park High
graduate, single.
Carmen Castiglione, 21, bass guitarist, Scorpio, North
Tonawanda High graduate, married, one son.
* * *
FIRST, about three years ago,
they were The Jay-Ron Duo. Jake, who learned organ from his mother and played
three years with The Rat Pack, and Ron, part-time drummer and bartender at Dave
Lang’s. They were recruited by Lang to play in his newly-remodeled club.
Lang also recruited Barbara, who had sung five years with a
Black group, The Sessions, and had worked with Joey Reynolds and Tommy Shannon
on a Saturday afternoon television dance party.
* * *
JOHN JOINED
three years ago, jumping from The Group in
Carmen came last July after “too many differences of opinion”
in The Caravans after seven years. “Music’s been my whole life,” he says.
Pin-Kooshins? Seems Jake came back from the doctor one day in
1968, arm full of vaccinations. Felt like a … you guessed it.
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