March 27, 1971: Pop Fly
Meet a lovable hippie band, complete with the Country Joe “Fish” cheer – a very 1971 slice of life.
March 27,
1971
‘Pop Fly’
Grabs a Following
Now, while the other guys in Pop Fly do their little tuning things before the next set, now seems like a good time to do it.
“We
got any Canadians here tonight?”
“Yeah-h!”
some two dozen voices answer, proud to be over here at the Grant Street Beef
& Ale House.
There’s
more that don’t answer – girls, guys looking kinda innocent next to the Buffalo
State students, drinking pitchers of American beer and giving away their
nationality every time they pull a cigarette from their boxes of Exports or
Players or Craven A’s.
Americans
may be less refined, but there are certain rewards in old bordertown
* * *
SINGER Frank Viola says some nights he can ask for Canadians and get a
response that almost lifts the roof. Previous weeks, the Beef & Ale was
packed like it was a couple years ago, but this Friday night the crowd from both
sides of the river is a bit off and Frank feels he has to apologize for it.
“Every
night’s a good night,” bass guitarist Bob Hudson had philosophized earlier.
“The most important part of playing is to have a good time.”
So
what you do is have a good time with the crowd. This night they’re a little
bottled up or something, but the Canadian question is one way out. Or if they
aren’t clapping after a good effort, Frank’ll bring them around with: “Thank
you for that thunderous round of applause.”
* * *
“WE HAD one really good night over at Lang’s,” Bob Hudson
remembers. “We had ‘em all up front and everybody was asking us, do the Country
Joe cheer, you know? Everybody was yelling it, all the chicks were yelling it.
We didn’t want to quit that night, 2:30 came and we wanted to keep on playin’.”
Pop
Fly also likes to get to the club owners, person to person like, which isn’t
always so easy for a bunch of guys who live more or less permanently in old
blue jeans and have some of the longest hair in town.
They
laugh when they think back to their first job last summer down in
* * *
“THERE was one guy in Buffalo,” Frank recalls, “when we came in, he really
hated us, but we got to know each other and when we left, we were really like
friends. We were one of the groups he felt he could talk to.”
How
they look shouldn’t make much difference, they feel. Even for a wedding like
the one they played at Niagara Falls Air Force Base. Only one guy walked out.
And that was after they played Steppenwolf’s “Monster.”
“Last
year nobody had heard of us,” Frank says, “and they didn’t want to book us
here. Now it’s almost all in
* * *
THEY SAY they get on well at the Grant Street Beef & Ale
too. Well enough so they’re asked back this week for their fourth straight
Friday and Saturday.
“We’ve
had people tell us we do the most variety of music they’ve heard,” Bob Hudson
remarks. “Jethro Tull, Creedence,
* * *
“WHAT DO you want to hear?” Frank asks the Beef & Ale
crowd. Half yell back “The Pusher” and half yell back “Rock and Roll Woman,”
which is the one they decide to do.
Bob
Hudson sings lead on this one and Frank and Bob Deeb do the high harmonies.
Everybody comes down energetically on the accented beats and the solo section
finds Bob Hudson zambing the nylon strings on that old Hofner bass while Frank
whomps a frenzied tambourine.
“We
like to move around, put on a show,” Bob Deeb says.
“Of
course, you can’t put on a show on a card table,” Bob Hudson adds. “You gotta
have room. How many times have I hit you in the head, Frank?” Frank shakes his
head.
“We’re
at a point now,” Frank says, “it may sound corny, but I think we’re starting to
blossom. We’re all getting into it. But we don’t think we’ll record for a
while. We want to be ready for it when we do it. Why go cut a record when no
one even knows you?”
“At
least we admit it,” Bob Hudson puts in.
* * *
A FEW songs later, they go into a three-part thing of their own called “Gone
Fishin’.” Full heavy rhythmic background with Tom McGurrin’s lead guitar
sweeping through it like a needle and thread.
And
that feedback ending. Not like feedback you hate because it hurts your ears,
but low feedback, nice feedback that makes your body vibrate.
* * *
THE GROUP mentions it sometimes has trouble getting jobs just
because there’s no horn players.
“We
had a guy come down and say I’ll try you on Mondays and Tuesdays,” Frank says,
“but I hesitate to put you in on Friday and Saturday because you’re not a big
enough group. The idea is that people won’t dig you if you haven’t got horns.
“People
are sick of the big groups, I think. People we’ve run into are really happy
about the change in sound we give them.
“We
had one kid come up and say he wasn’t going to come to some place one night
because he thought we’d be the same old thing and he was glad we weren’t.”
* * *
“BOBBY and I both play horn,” Bob Hudson suggests. “We coulda gone up there
with horns and it would have been a change. For us, but not for them.”
“Right,”
Frank agrees. “You know, even
The
box/sidebar
All Musicians from Other Groups
Pertinent
and impertinent information about Pop Fly:
Frank
Viola, 22, vocals,
Bob
Hudson, 19, vocals and bass guitar, Riverside High, helper at a collision shop,
single.
Bob
Deeb, 18, vocals, lead and rhythm guitar, Riverside High, freshman at
Tom
McGurrin, 18, vocals and lead guitar, attended Lafayette High, single.
Roger
Butkowski, 21, drums, Riverside High, attended
* * *
POP FLY is essentially a combination of guys from the old
Beat Controversy (later just The Controversy) and Tears. They got together a
year ago, practiced four months, then called Mrs. Connie Stypowany, whose Great
Sounds in Music handled the other bands. She’s been booking them since.
Actually,
everybody but Tom knew each other in high school. Bob Hudson and Roger are the
Controversy veterans. Bob Deeb (son of country musician Bobby Deeb) and Tom are
from Tears.
Frank
came in last, when the four others decided they needed more vocal power. “I
first knew these guys when they used to borrow my sound columns all the time,”
he says. He was in the Incredible Insanes back in 1967, then in the Castaways
and the Sounds of 68 or 69, whichever it was. He has an almost identical twin
brother, who sometimes sings with the group.
* * *
THE GROUP’S name originated among the old Controversy one night
on the way to Psycus. “We were goin’ down
* * *
FOOTNOTES: The Country Joe cheer is formally known as the
“Fish” cheer, F-I-S-H, except it’s a different four-letter word beginning with
F. Country Joe and the Fish used it as an intro to their anti-war anthem, “I
Feel Like I’m Fixin’ to Die Rag.”
A
search for singer Frank Viola led to the “Buffalo NY Garage Bands” Facebook
page. Great old photos from the 1960s there and he's in at least one of them. Couldn’t find Frank elsewhere, though.
Guitarist
Bob Deeb has a Facebook page, which tells us that these days he lives in
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