May 15, 1971: Friendship Train
Two local music legends here – singer Chuck Vicario, who went on to be lead singer in Big Wheelie & The Hubcaps, Buffalo’s answer to Sha Na Na; and manager Fred Caserta, who found religion and founded Kingdom Bound, the mega Christian summer music festival at Darien Lake amusement park.
May 15, 1971
Friendship Train Runs on Five-Part Harmony
Rich Antolucci, manager of The Scene, is winding things up
with the guy from Guider magazine while Friendship Train tells the photographer
that they don’t want to pose with instruments.
“Hey,” someone says, “how about that amusement park up by
Ellicott Creek? You could take a picture of us on the train.”
The sun is giving
“I used to come out here when I was a kid,” guitarist Dan
Cook says, taking the engineer’s seat.
* * *
RICH SETS up
Cokes all around as the group returns to the club and there’s a lot of
good-natured joking that makes everyone seem younger than they turn out to be.
What helps is that everyone in Friendship Train is on the
same success trip. They’ve all been around rock and country bands. They all
know what it takes to make a group work and they’re all prepared to do it.
“My sister and I have been in groups for six years,” says
organist Carol Fremy, “and it was going nowhere. When we talked to Fred, his
ideas turned out to be almost identical with what we wanted to do.”
* * *
FRED IS Big
Fred Caserta, who use to produce dances in
“I felt there was definitely a need in this town for
acommercial group with the idea we had,” he says. “I got together with Chuck
(Vicario) and Dan on it and we went from there. It was a question of keeping
together and working hard.”
* * *
THE HARD
work began in mid-October. A month later there were three guys from Caesar
& The Romans and four girls who answered Fred’s ad practicing five and
sixth nights a week, often until 1 a.m. in Carol and Diane Fremy’s Town of
Tonawanda living room. Two days before Christmas they were displaced by the
Fremy Christmas tree.
“We found out there really was no time to go out on dates,”
says Carol. “Nobody minded because I think we all want THIS first.”
By mid-January, Fred got them their first job. It was Russo’s
Trophy Room on
Next was 11 weeks at Williamsville’s Page One and now they’re
at The Scene every night but Mondays until the end of May. After that, agent
Fred Saia is putting them on the road.
“A lot of people have come up and said don’t go on the road,”
Chuck Vicario says, “but that’s why we put this group together. We want to
tour.”
* * *
THEIR
specialty is five-part harmony and it’s no surprise that they favor songs from
The Fifth Dimension, Three Dog Night, Sly & The Family Stone, Brasil ’66
and other groups that stress vocals.
“The challenge of doing a Fifth Dimension song,” Carol points
out, “is the harmony. It’s a five-part harmony and you have to have someone who
can hear the parts.
“The other challenge is getting the bass and drums to get the
beat established. There has to be drive without a lot of volume.”
“It’s
knowing when to make your accents,” Dan says. “It’s dynamics. Dynamics is the
whole thing behind it.”
“It’s
everybody being sharp,” Chuck Vicario adds. “Let’s face it, in a rock group,
you can’t mess around.”
* * *
THAT NIGHT
their stage presence is full of that same joyful determination despite a PA
problem. That may have been what made the solo vocals by Chuck Vicario (and
Judy Ware and Linda Socie on the other side of him) seem a bit thin next to the
powerful harmonies.
Judy and Linda try to work together on choreography, but
Chuck’s movements are all his own. Singing Runt’s “We Got to Get You a Woman,”
he prances in a combination of, say, Frankie Lyman and the old Caesar. And he
still has that taped-up microphone. He no longer twirls it, but he holds it the
same old way.
The instruments are clean and understated. Diane Fremy’s bass
provides a lot of support. Dan Cook weaves occasional guitar ornaments the way
that must have infuriated his old rock fans and Chuck Brideau’s drums are a
dusting of cymbal and bass.
And every four or five songs, Carol Fremy will do a little
tour de force on piano, drums or flute. Twelve bars of funked-out piano close
their version of The Beatles’ “Help!”
Carol does most of the group’s arranging and she was the one
who wrote the commercial the group does on Channel 29. She’s planning a whole
set of “American music,” a panorama of songs with Dan on banjo and “all that Al
Jolson stuff.”
Everyone – guys and girls alike – thinks that four girls in
the group is far from being a handicap.
“I think girls put more attention on the little things,”
Diane notes.
“They also put in a lot of commitment,” Fred says.
“Compared to other groups we’ve been in,” Carol says, “our problems
are minimal.”
“Besides,” Fred cautions, “if they argue, I sit on them.”
“And,” Linda says, “nobody wants THAT!”
The box/sidebar:
Pertinent and impertinent
information about Friendship Train:
Chuck Vicario, 24, singer,
Linda Socie, 21, singer,
Judy Ware, 20, singer,
Dan Cook, 22, guitar and vocals,
Carol Fremy, 23, organ, piano, flute and vocals,
Diane Fremy, 25, bass guitar, Carol’s sister, Kenmore East,
attended
Chuck Brideau, 21, drums, native of Keyport, N. J., attended
* * *
FRIENDSHIP TRAIN steamed from the ruins of Caesar & The Romans, one of
With a nucleus of Chuck (Caesar) Vicario, Dan and Romans
drummer Pat Perry, Fred advertised for musicians. First to answer was Carol,
who with her sister Diane had worked six years in groups like The In Crowd, The
Storybook and The Blues Forum.
Judy was a veteran of the original Lemon Sky and Linda sang
country-western with Eddie Bentley after doing harmony on one of his
recordings. Pat Perry left a month ago and was succeeded by Chuck Brideau, who
came to town with a group called Happy Daze and stayed.
* * *
THE NAME
Friendship Train – another Fred Caserta invention – rose during a telephone
call to a friend in
“It beats ‘
PHOTO CAPTION:
The group Friendship Train at Darling’s Amusement Park, Niagara Falls
Boulevard, from left, guitarist Dan Cook, singers Judy Ware and Linda Socie,
bass guitarist Diane Fremy, singer Chuck Vicario, drummer Chuck Brideau and
organist Carol Fremy.
FOOTNOTE: Friendship Train gave birth to Big Wheelie & The Hubcaps. At first, a ‘50s rock set within the commercial group’s show, by April 1973 it had moved into the driver’s seat.
That’s when Billboard magazine was taking notice of Big
Wheelie & The Hubcaps – which not only included singer Chuck Vicario, but
also guitarist Dan Cook, keyboardist Carol Fremy, who had become Carol Fleming
(and later would be Carol Jane Swist), and singers Judy Ware and Linda Socie.
The article notes that the group, riding on the local success
of their first album, “Solid Grease,” was being prepped for a big showcase tour
of
Chuck Vicario inhabited his role as Big Wheelie so
well that he reigned for many years as the king of 1950s rock hereabouts. He
came back from two years of rehab after a serious motorcycle accident in 2012
and kept going until 2019, when he decided to hang up his black leather. He was
an early inductee (1985) into the
Manager
Fred Caserta was working for Fred Saia’s
He was inducted into the
He and a partner started Kingdom Bound as a weekend
festival at
Sadly,
neither of them is still with us. Covid claimed Chuck in April 2020. Fred died
in 2006.
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