Oct. 7. 1972: Jackie Jocko
A snapshot of one of
Oct. 7, 1972
Two Talented Musicians
Come Home Again –
Entertain Old Friends
SOME WRITER
out in
So when a friend mentioned last week that he’d seen Jackie
Jocko at David, the fancy new club on Elmwood Avenue near North Street, it
activated the pinball bumpers in the ‘50s section of my mind.
* * *
JACKIE JOCKO.
Somewhere in the happy raunch of Chuck Berry and Elvis and Buddy Holly, he’d
flashed once onto the charts, crooning some catchy ballad or something. No, you
don’t forget Jackie Jocko.
But what have 15 years in entertainment done to him, I
speculated. Had he become some sad figure scratching his way to salvation on
the murky edges of showbiz?
“You’ve gotta ask him about astrology,” my Aquarian friend
goes as Jackie Jocko ends a Friday night set in the white plastered surrealism
of David and it’s time to catch him for an interview before he gets away from
that white piano.
It turns out I don’t have to ask. He hits on it first. No
sooner shake hands than he asks what month you were born. What day? “Oh, you’re
on a cusp,” he beams, “that’s very powerful.”
For the interview, he offers to meet in a friend’s store next
to the Century Theater downtown. “I don’t have a house here,” he says. “I just
have five or six friends I stay with. These people, I open up the store for
them.
“Here,” he digs out a record album from behind the stage.
“Take this and tell me Tuesday what you think of it.” Aquarius Records. His own
label. His name in red and blue letters like on the book cover to “Love Story.”
He’s on the cusp of Capricorn and Aquarius, but there’s no
doubt which is the dominant. He shines with Aquarian gregariousness. His
longtime companion, drummer Joe Peters, is an Aquarian too, but he’s quiet.
* * *
“I’LL PLAY
something for you,” he tells my Aquarian friend after an animated discussion of
the planets. “What would you like to hear?”
She
thinks for a moment. “You’re an Aquarian,” she goes, “you’re going to play what
you want to anyway.”
“You’re right, of course,” he grins, then turns to ask the
couple at the next table what their signs are. “A Pisces and a Capricorn,” he
remarks. “You two can be very good for each other.”
Behind the piano, he pulls back the sleeves of his dinner
jacket (he and Joe wear matching suits, ties, shirts) and ripples happily through
“More.”
Jackie Jocko is an entertainer in the old sense of the word,
the sort of guy who can sit down at a piano any place and captivate anybody
within hearing distance.
“My partner and I, we never practice together,” he says. “We
do everything natural. I like to interpret between the lines. If you use a set
pattern, then you can deviate from it.”
Never makes up sets either. There’s probably 300 song titles
magic-markered onto a piece of cardboard on top of the piano and he just picks
them out like hors d’oeuvres, bridging them with a dedication or some comment,
never letting the pace drop.
Urbane in the style of ‘50s nightclub crooners, his smooth,
playful voice is best in the older songs. He plays tag with rhythms, bends a
phrase here and there, lifts a hand above his head, changes words if the spirit
moves him. Jackie Jocko definitely has a good time.
Jackie Jocko was born John Giaccio in
His fascination with the piano at age 2 led to lessons from
his brother Ralph (who now owns Park Dale Radio & Television Service), and
he was still in grade school when he started playing for crowds.
* * *
“I’VE BEEN
playing in saloons since I was 12 years old,” he says, “and I don’t drink. I
used to watch everybody get bombed out.”
He hadn’t been doing saloons for long before a local music
man named Jiggy Gelia encouraged him to start singing. In those days, Tony
Bennett and Frank Sinatra were big and his voice naturally fell into that range
and style.
For two years he had a quartet here, then pared it down to
the partnership with Joe Peters, which has lasted for about 20 years. Joe, a
John Giaccio became Jackie Jocko after he went to
His hit, a flippant version of the old show tune “Lover Come
Back To Me,” he’d worked up as a joke.
“We used to do it all over
After the hit, he and Joe Peters toured. “Chicago, Dallas, we
played every city,” Jackie says.
He spent five years at the Sahara in
“I was wild in those early days,” he recalls. “I went
everywhere and met some of the greatest thinking people, but I didn’t
appreciate them then. Now I learn through people.”
* * *
“FORGET THE TAX.
Who needs it? Just give me $1.25,” Jackie Jocko smiles at the first customer of
the morning in the little
“I open this place up for half a hour in the morning,” he
says. “I just stay here to have fun. You should see the people that come in
here.”
This week he’s opened at the Airways Inn on
“It’s small, very intimate,” he exclaims. “I like the
intimacy.
“This is the first time I’ve played my hometown and really
loved it. Before, I was always fighting it. My thinking was so wild. I wanted
to go other places. Now I’ve been there and I’m happy to be back and see my old
friends.”
After Viola Heiney, manager of the shop, takes over, we
adjourn to a newly-remodeled restaurant nearby for a rambling talk.
We’re interrupted by an animated old friend from the shop
named Lee (“The first time I saw Jackie,” she says, “he was dancing on a table
and I asked someone: ‘Who is this idiot?’”) and a Main Street fixture called
The Professor, who shows Jackie a bruise on his leg from where he fell.
* * *
JACKIE TALKS
about Joe Peters: “He’s had many opportunities to play with big bands. He’s
very conscientious in everything he does. He’s very good for getting jobs and
he could be a promoter if he wanted to. And he helps a lotta people. Kids who
don’t have money, he helps them get drums.”
Mental development: “My sister, she’s in her 50s, she taught
me meditation, the spiritual things. If you learn them, the clairvoyancy comes
to you.
“I’ve studied the science of the mind. Norman Vincent Peale
brought this thinking out into the open. You know Oral Roberts? He’s got these
three principles that can’t fail.
“One, God is your source. Two, go out and do something and
give of what you have. And three, expect a miracle. Don’t just hope for a
miracle. Expect one. Every day.”
And Frank Sinatra: “You listen to Sinatra’s songs and each
one of them was written for him. They’re all about his life. That’s why he puts
so much feeling into them. This is him.”
In the parking lot, Jackie picks up a blue station wagon with
“I was talking to a friend yesterday and he says: ‘Jocko,
you’re lucky. You do what you want to do. Any place you want to go, you can go
and you have friends.'
“That’s why I don’t have all these hang-ups. I don’t look at
things as problems. Maybe it’s Pollyanna, who knows? People say: ‘Jocko, you’re
acting.’ But I’m not acting. I really feel that way.”
* * * * *
IN THE PHOTO:
Jackie Jocko, left, and Joe Peters.
* * * * *
FOOTNOTE: Walk into the room where Jackie Jocko was
playing and before you could find a table, he would work your name and some
piece of personal information about you into the song he was singing. He knew a
gazillion people and he did it for everyone.
He wound
up doing long engagements at supper clubs – the Cloister, St. George’s Table,
Fanny’s and, for a 20-year finale, E. B. Green’s, the steakhouse in the Hyatt Regency
Buffalo downtown. In his later years, he’d stopped driving and friends
volunteered on a rotating basis to take him to the gig and back.
By then
he was solo, but I would see his sidekick, Joe Peters, playing duplicate
bridge. I was even Joe’s partner a few times – a very savvy player, but totally
instinctual. You’d have to read him like he was your mate in a band.
Until Joe
died in 2016, he and Jackie were housemates in Eggertsville. Joe’s Death Notice
began: “Dearest partner in music and life of Jackie Jocko.” When Jackie passed
away in 2019, it felt like the whole city had lost a dear part of its life.
Comments
Post a Comment