Sept. 2, 1972: What's in a name? They're in Heaven.

 


Everywhere you looked back in 1972, there was a great little band with great big aspirations. 

Sept. 2, 1972 

Heaven: Raised Up From Humble Beginnings 

WHENEVER PEOPLE come down to the basement to see the group practice, the thing they always pick up on is this sign on a ceiling rafter a couple inches above their heads.

Pete Militello, the drummer, made it up about the time Heaven got started in this same Town of Tonawanda basement, organist Paul Demeter’s, some 20 months ago.

It’s a quote Pete found in a Rolling Stone interview with Frank Zappa: “Most people wouldn’t know good music if it came up and bit them …”

* * *

ANY MUSICIAN who puts up a sign like that has to share Zappa’s disdain of people who ask them to do “In-A-Gadda-Da-Vida,” but it also obliges that musician to be good. Or trying awful hard to get that way.

It’s apparent that the Zappa inspiration took root in Heaven as they churn expressively through Crosby, Stills & Nash’s “Long Time Coming.”

Lead singer Mike Ruffino trades barrel-chested verses with lanky, high-voiced guitarist Don Marien. Bass guitarist Russ Vara adds a third voice to enrich the chorus.

Pete Militello’s generously heavy drumming and Russ Vara’s bass make for a solid underpinning. Paul Demeter’s Hammond L-100 giving things a fluid Leslied warble (later on, he gets to do that churchy organ part in “Whiter Shade of Pale.”).

* * *

“THIS ISN’T the same as when we play out someplace,” Mike apologizes. There isn’t room here for the energetic tricks they play on stage. Particularly guitarist Don Marien.

“When he throws his Les Paul up,” Mike Ruffino says, “you see everybody’s jaw just drop. We made him up a 40-foot cord after he kept pulling the plug out.”

Don used to do a Jimi Hendrix gimmick too, playing the strings with his teeth until it earned him a cap on one of them. These days he favors Ten Years After’s Alvin Lee, soloing on that tasty edge of amplification where notes sustain and bend.

“I would go see a band if I knew they were just gonna stand there and play,” Don says. “There’s got to be performance.”

No surprise that they all dig Jethro Tull and all have tickets for the upcoming Tull concert at the Aud. That was part of the reason for bringing nimble sax player Jim Witherspoon into the group a month ago. He also could play flute for their three Tull numbers.

The spirit behind that Zappa quote helped bring Heaven up from its humble beginnings – a basement band that was only going to stay together for Christmas vacation 1970.

By the next May, Paul’s father, Joseph Demeter, an architectural engineer for J. W. Cowper Co., had enough faith in their intentions to help them fill half the basement with amps and speakers, including a Voice of the Theater PA and several things he built cabinets for. The band pays for them as it gets jobs.

* * *

THEY GET jobs three ways – through Mary Stock, a booking agent who works in the same insurance office as Russ’ father, via Mr. Demeter, or as the result of Pete Militello’s enthusiastic promotion. The band calls his attaché case full of leaflets and pictures “Pete’s bag of tricks.”

Last October Pete got the group the job he’d dreamed of getting since he was a freshman at St. Joseph’s Collegiate Institute, playing at one of the big St. Joe’s dances.

“I knew the kid who arranged the dances,” Pete says, “and we played that one for free with The Road. We played there two more times and had the featured spot.”

For that first St. Joe’s dance, there were seven members of Heaven – two singers, two guitar players. Trouble was, the group had terrible arguments over material.

“Everybody wanted to do their own thing,” Paul says. “After we brought Don in and went down to five guys, our ideas got a lot tighter.”

* * *

THESE DAYS there’s a few arguments, everybody’s pretty much responsible for his own arrangements and it all falls into a broad groove that stretches from the heavier country rock like “The Weight” to a couple Grand Funk numbers.

A song like Arlo Guthrie’s “Comin’ in to Los Angeles” has undergone three or four revisions since they started playing it a year and a half ago. Now it’s got a fast beat and a broadly humorous delivery, full of stops and sound effects. So does The Byrds’ “Mr. Spaceman.”

* * *

THEIR STAGE antics generally earn them a healthy crowd of watchers as well as dancers and the fun doesn’t stop when they leave the stage.

After a gig, they and their five equipment handlers stage a breakfast party at a place on Sheridan Drive, singing and doing rhythms with knives and spoons.

And riding in the back of a rental truck is good for a few adventures too. Like Chinese fire drills or that winter night when Paul slid across the icy floor and out the back at a traffic light, then ran like mad to catch it while the others in back pounded on the truck cab to get it stopped.

They’ve played other high schools – Kenmore West, Bishop Neumann – outdoors for the March on Hunger and Brighton Park. They also did the Variety Club Telethon at 7 a.m.

“Before we went on, they asked us if we were going to donate,” Paul says. “We said no and they told us we could only do one number. So we did ‘Down by the River’ and it lasted 10 minutes. They kept going, ‘Cut!’”

For all their stage antics, they’re as serious about their music as Zappa is. Pete and Jim both play in the St. Joseph’s Collegiate Institute Lab Band, fourth in the East in competition in Boston this spring, and Pete, meanwhile, won a separate national music award.

Both plan to apply for college music schools, Fredonia State, for one.

“If I never make it playin’,” Pete says, “I wanta be a booking agent. But I really wanta make it playin’.” 

The box/sidebar: 

Putting It Together 

Pertinent information on Heaven:

Mike Ruffino, 17, vocals, Kenmore West High School graduate.

Don Marien, 18, guitar and vocals, Cardinal O’Hara High School graduate, attended Villa Maria College.

Russ Vara, 19, bass guitar and vocals, Cardinal O’Hara, sophomore at Medaille College, department store shipping worker.

Paul Demeter, 16, organ, senior at Kenmore West.

Jim Witherspoon, 17, sax and flute, senior at St. Joseph’s Collegiate Institute.

Pete Militello, 17, drums, senior at St. Joe’s.

* * *

RUSS DECIDED after they asked him to play over Christmas vacation 1970 that if this band didn’t work out, he’d give it all up.

He’d been in groups with Phil since 1967, five or six of them altogether, few of which ever saw a stage. The most successful was Horsemeat. It played seven gigs.

Paul had been in one of them, U-238, and that’s the name. Pete and Russ joined with Mike, a schoolmate of Paul’s, and three others to form a seven-man group.

That lasted until February, when Don, a veteran of New York Freeway who went to school with Russ, replaced two other guitarists and a singer. Pete brought Jim in last month to add a touch of color and variety to the sound.

* * *

THE NAME Heaven was Mike’s idea. “What does Heaven mean to me?” he grins. “What does Heaven mean to you?”

“What I like about it,” Paul says, “is when somebody comes up and says: ‘You’re in Heaven.’ And I just go: ‘Yeah-h-h!’”

* * * * *

IN THE PHOTO: Heaven, from left, Pete Militello, Don Marien, Paul Demeter (kneeling), Mike Ruffino, Russ Vara and Jim Witherspoon.

* * * * *

FOOTNOTE: Drummer Pete Militello is in Cock Robin, still playing. He did indeed go to music school – Berklee College of Music for a year. LinkedIn tells us that since 1981, he’s been purchasing agent at Scranton’s Thruway Builders Supplies Division of United Materials LLC.

Saxman Jim Witherspoon kept playing too. He was with the Dick Bauerle Group in the early 1980s.

Bass guitarist Russ Vara went on to get a degree in computer science from Buffalo State in the 1980s and has been in sales at a number of office equipment and computer technology companies since then, LinkedIn reports. Most recently, he’s been a senior account executive with Synergy IT Solutions, which is based in Victor.

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