Nov. 4, 1972: After Dark with singer Jerry Hudson from The Road
When we previously met singer Jerry Hudson, the leader
of this band, it was April 1970 and he was idolized by thousands of
Nov. 4, 1972
After Dark Group Formed Almost Overnight
It’s
a somewhat different Jerry Hudson sitting with this new band over by the stage
of The Cross Bow, that Tudor-trimmed oasis in the drive-in expanse of
Brown
horn-rimmed glasses, quietly fashionable clothes, the old cascade of curly hair
styled into easygoing waves – a far cry from two and three and four years ago
when, as lead singers for The Road, he and younger brother Phil were knocking
out teenage Buffalo with their remakes of The Zombies’ “She’s Not There” and
Three Dog Night.
You’d
warm up to Phil’s semi-shy smile and the smooth way he moved. Jerry you’d take
to for other reasons. His intensity, the haughty command of his performance,
his tightly-wound power.
The
Road broke up, had a reunion to make a second album, then played maybe six
months before disappearing altogether last winter.
Jerry’s
tried a couple bands since then, with a short stint as a WKBW deejay in
between.
* * *
THE FIRST,
Jerry and The Hornets, had a couple of guys from the local group Flash and
worked up some Humble Pie and other assorted heavies. They played one mammoth
The other,
called Alacazam, took in several players from the old Parkside and specialized
in laid-back choogling rock before it splintered a couple months ago. This new
band, however, looks like it’s going to last for a while.
“It’s
called After Dark,” says Jerry, “and we’ve been together a month. Mike (Romano,
the bass guitarist) and I were in Alacazam together and we wanted to get
another group.”
* * *
PUTTING A BAND
together isn’t usually quick and easy, but this one materialized almost
overnight. It started with Jerry’s newspaper ad.
Guitarist
Mike Kucharski and organist Peter Viapiano of the rock band Junction West
answered it. And they called in Eric Malinowski, a friend of theirs, to be the
drummer.
Jerry
was up for going after the lucrative commercial-rock clubs. Mike Kucharski and
Peter, who’d struggled to soften the hard-rock elements in their old band, felt
the same way.
There
was little argument over repertoire. And no disagreement with booking agent
Fred Saia’s suggestion that they try out this girl singer who came into his
Great Lakes Booking Agency office looking for work.
Petite
Donna McDaniel turned out to be a double blessing. Not only did she fill the
almost obligatory show-group female lead spot, but she also had a place for
them to practice – her parents’ house.
“I
feel like I’ve got five brothers now,” she says.
Three
weeks to prepare for their first outing – this six-night stint at The Cross Bow
– and they threw all their energies into it. Some days they’d work from 10 in
the morning till 10 at night.
“Freddie’d
come down to see how we were doing,” Jerry remarks. “‘How many songs you got?’
he’d ask. ‘Twelve songs? Good, keep going. Remember, you’re at The Cross Bow
the 24th.’”
* * *
WAS IT MUCH
of an adjustment – going from rock to commercial?
“The
difference isn’t the music, really,” says Mike Kucharski. “It’s the way you
present it.”
“We
do mostly rock ‘n roll songs,” Jerry says, “a few Top 40, some milder songs
like ‘My Way,’ but it doesn’t come off like Frank Sinatra. And a lot of pop
oldies I’ve heard no other groups doing.”
Mike
and Peter say that overall, what they’re doing now is as musically valid and
challenging as what they did before. Fewer instrumental solos, less jamming,
more concern for appearances and a well-polished performance.
They
were ready for that first night, but they weren’t ready for the enthusiastic
response they got. All week they played late – until 2:30 a.m. – and people
stayed late.
“It
was amazing for a new group,” says Mike Kucharski.
When
they take the stage, it’s apparent right away that they’ve worked hard. All
that’s needed is an occasional head-turning instrumental solo. That’ll come,
the band explains, but when you learn 40 songs in three weeks, solos get put
off until later.
* * *
ON STAGE
Jerry is spokesman and a forceful performer who’s more inclined now to rivet a
crowd with his expressive voice and energy instead of overpowering them.
The
Doobie Brothers’ “Listen to the Music” and Cornelius Brothers’ “Too Late to
Turn Back Now” are done up full and cheery with four-part harmonies, Mike
Kucharski and Mike Romano on backup, tight rhythm overlaid with organ and an
upbeat stage presence, especially Pete Viapiano, who goes into head-bobbing
ecstasies behind the keyboard.
Donna
gets to belt Chi Coltrane’s “Thunder and Lightning” and belt it she does. She
can sing as strong as Jerry and when they blend voices, as in the Roberta
Flack-Donny Hathaway “Where Is the Love,” they seem well-balanced.
* * *
AND THERE’S
oldies. Jerry doing an impassioned “I Call Your Name” over a Beatllic rhythm,
another retread of “Doesn’t Anybody Know What Time It Is” that sounds amazingly
fresh, and a good Jerry-Donna duet on “You’ve Lost That Lovin’ Feeling.”
Still
to be worked out is Jerry’s single, “Gillian Frank,” a song about a hired
gunfighter which he recorded in
“My
contract with Buddah Records runs out this week,” Jerry says, “and the
single’ll be released locally under my own name in mid-November. Whether it
goes national depends on sales here.
“It’s
got an interesting story and real nice harmony in it. And it doesn’t sound like
anything that’s come out of
“The
group right here, they didn’t even know anything about it until now. You know
how it goes, sometimes things go wrong and I didn’t want to have everybody get
their hopes up before I knew for sure it was coming out.”
* * *
ELSEWHERE,
hopes are high. That first week and Jerry Hudson’s fame have insured After Dark
of engagements for all but two weeks from now until New Year’s.
Presently
they’re in the middle of a two-week run at the Night Owl on Hertel. (“It’s
gonna be strange,” Jerry says, “wearing tuxedos.”) Beginning Nov. 14, it’s two
weeks at The Cross Bow and then to Keystone 90s near
“Right
now what we’re doing until January,” says Jerry, “is playing locally.
January’ll be the big turning point of the group. We’ll be starting a big
commercial tour, you might say.
“A
couple people in the group have school and they’re gonna take a leave of
absence. We’re gonna work our way down to
* * *
“I WAS in
“What’s
he doing now? I don’t see him to talk to him that much, but he’s writing songs
and putting a group together with Joe Hesse of the old Road.”
Would Jerry bring him into this group? “No, that’s pretty sure,” says Mike Kucharski. “It’d be like playing between two giants.”
The box/sidebar
Started Down the Road
Pertinent
information about After Dark:
Jerry
Hudson, 23, vocals,
Donna
McDaniel, 19, vocals, North Tonawanda High, single.
Mike
Kucharski, 20, guitar, flute and backup vocals, Maryvale High, junior at
Mike
Romano, 21, bass guitar and backup vocals, Kensington High, attended
Peter
Viapiano, 20, organ, Cleveland Hill High, second year student at
Eric
Malinowski, 21, drums, Kenmore West High, Navy veteran, attends
Jerry,
of course, sang with The Road. Mike Romano, who he met in another group this
year, hadn’t played with a major band before.
Mike
Kucharski and Peter have played in bands together for 5½ years, most notably
Soft Stone and Junction West. Eric played with The Country Gentlemen and Sudden
Hush, plus a Navy rock band on his aircraft carrier that got to play in a bunch
of European ports.
Donna,
although she’s sung for years, had worked with groups only on occasional dates
– weddings and the like. Last year she acted with the NOW Repertory Theater
doing children’s plays at the Studio Arena.
* * * * *
IN THE PHOTO:
Front, Jerry Hudson and Donna McDaniel; rear, from left, Peter Viapiano, Eric
Malinowski, Mike Romano and Mike Kucharski.
* * * * *
FOOTNOTE: Jerry
Hudson’s “Gillian Frank” single became enough of a regional hit to get picked
up for national release by Big Tree Records, home of Lobo and
After about a year, however, this chapter in Jerry’s
career was over. He broke up the group and headed West. After several years in L.A. and
the Bay Area, he came back home, wrote short stories and poetry and acted in
local theater, notably as Bob Cratchit in the annual production of “A Christmas
Carol” at the Alleyway Theatre. “Gillian Frank” was one of the songs he
performed in the memorable Road reunion show in July 2012 at the Hard Rock Café
in
Buffalo Sabres fans fondly remember Donna McDaniel as
that powerhouse singer on the original 1975 version of “We’re Gonna Win That
Cup.” She wound up in
She left a gig at
These days she’s Donna McDaniel Pavlock, lives in
Meanwhile,
still in town and still playing is drummer Eric Malinowski. You’ll find him with a blues band called 12PackJack. He’s also part of the trio on the
Blues Cruises hosted by Niagara River Cruises from the docks in
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