Nov. 13, 1974 Review: The Beach Boys in the Niagara Falls Convention Center
Beginning with this date, the
kings of surf rock catch a
Nov. 13, 1974
Surf’s Still Up for Beach Boys
It’s a revenge made keen by all those psychedelic and heavy
metal years when you’d get abused without mercy for any hint of affection for
the kings of the early ‘60s surf sound.
But the scoffers weren’t out Tuesday night. They’ve grown
up and stayed home. Instead, the median age is about 15 – high schoolers
sneaking their first cigarettes and guzzling illicit beers in the traffic jam
on the way up.
The kids come because the Beach Boys resonate with the
passions of youth. They stand for fast cars, yearning romances, the beach, the
sun and the fun, fun, fun of endless summers.
* * *
AND THEY
keep singing, even though they’ve grown as old as their fans of 12 years ago –
Mike Love and Al Jardine in their early 30s now, wearing spiffy hats to hide
the thinning hair on top.
So backstage Love hugs his fiancée, a dark Hawaiian lady in
a full-length mink, and talks about how Transcendental Meditation (he and
Jardine are certified TM teachers) has relieved the stress of the year. And
Dennis Wilson shows off the plush motor home he’s rented for the tour.
But onstage, in a jungle of potted plants and flowers,
they’re kids again, celebrating the joys within “Little Deuce Coupe” and “Surfin’
U.S.A.”
* * *
ALL THIS
despite the departure of Blondie Chaplin and Ricky Fataar, Dennis playing drums
for the first time in three years and a TM native of nearby Olcott, Ron
Altbach, formerly with King Harvest, taking over the piano after just one rehearsal.
This being the first stop on an abbreviated fall tour, they
start late, the arrangements aren’t quite crisp and the 95-minute show, once a
gourmet menu of old, middle and latter-day favorites, has been infused with
unfamiliar cuts.
Like the shimmery TM number, “All This Is That” and the old
lonely “Warmth of the Sun” and “I’m Waitin’ for the Day” off the “Pet Sounds”
album and one called “Catch a Wave” (“and you’re sittin’ on top of the world
…”).
* * *
THE KIDS
tolerate these and later hits like “California Saga” and “Heroes and Villains.”
They uncork for “Sloop John B,” “I Get Around,” “Good Vibrations” and “Barbara
Ann,” all endless summer sagas, all eternal youth.
Unadvertised openers were the Raspberries, who borrow the
Beach Boys’ high harmonies in their hits “Go All the Way” and “Overnight
Sensation (Hit Record).”
But the hits didn’t hit and the four were not nearly as
fresh as their records. They struck two rhythms – one fast, one slow. Though
they’re only maybe 22 or 23, they sounded the way the Beach Boys never sound:
Old.
* * * * *
IN THE PHOTO:
Ticket stub from the
* * * * *
FOOTNOTE: Band
at this point included founding members Mike Love, Al Jardine, Carl Wilson and
Dennis Wilson, plus rhythm guitarist Ed Carter, singer and keyboardist Billy
Hinsche, keyboardist Carli Munoz, vocalist and percussionist Bobby Figueroa and
bassist James Guercio, former producer of
As for newly-added keyboardist Ron Altbach, he stuck around,
touring, writing songs and doing sessions. He played on the group’s “
The son of a physician in Olcott, Ron started playing piano
at age 4. In a college band at
King Harvest was playing clubs in the
“I had met Mike Love in the Spring of 1973 in
When his father died in 1991, Ron was living in
He still is very much a piano player and it’s a bit of a
miracle. As he explains in the notes on bandcamp.com for a 2011 recital, available
as a free download, he was partially paralyzed after surgery in 2010 (a mitral valve in his heart was repaired) and he was unable to use his left arm. Through
concentration and practice, he recovered enough to play this concert of
classical pieces on the first anniversary of his procedure. He then continued to
give an annual classical recital for small audiences in
He played a King Harvest reunion in Olcott in mid-July 2012
that coincided with a
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