Nov. 16, 1974: Jon Kondal
My next-to-last musical feature of 1974, a year when record reviews took over that showcase page in TV Topics more and more frequently.
Nov. 16, 1974
Singer Jon Kondal Can Do Really Dreamy Things
THE WAITRESS kids
Jon Kondal about not knowing there’s soup at the salad bar. Isn’t this
virtually his second home? Well, yes, he grins, but he’s never eaten here
before.
Indeed, the main deck dining room is the only room in the
revitalized Showboat in the
But during the past three years, Jon’s hit all the other
decks, literally working his way up from the Engine Room, which is now the
raucous habitat of X-rated pianist John Valby.
These days Jon Kondal pilots the big bandstand in the main
deck’s Silver Dollar Lounge Wednesdays through Sundays, a task occasionally too
large for seven-man groups, with nothing more than his voice, a guitar and an
electronic rhythm box.
He sings like a nice guy, the kind mothers want their
daughters to bring home. His wide-ranging repertoire, which spans the past 25
years and then some, has a little something for everybody. He can rev you up
for dancing or croon you down for dreaming.
* * *
SOME PEOPLE
compare him to Johnny Ray, though he doesn’t have that tear-choked catch in his
smooth voice. The reason they do is because of the mood he can create. Jon
Kondal can take a ballad and make it gently weep.
“People like me for that,” he says, “the cryin’ type of
music. One reason is because I tend toward the dramatic. I mean, I’ll go to a
sad movie and I’ll cry myself.”
Jon was ready to study acting in
“I tried a couple 9 to 5 jobs and I just couldn’t do it,”
he says. “My wife’ll tell you I can’t pound a nail in the wall. I’m a real
diehard entertainer. If I’m only singing a couple nights a week, I don’t know
what to do with myself.”
So he stayed in his native
* * *
HE STUDIED
at the Studio Arena Theater for a year, studied movement with dancer Renee
Strauss, wife of Buffalo Philharmonic Orchestra associate conductor Melvin
Strauss, and studied voice with Sam Herr, formerly of the
“That’s where I really learned how to sing the right way,”
he explains. “Like pronunciation. You sing ‘any’ like ‘annie’ in Annie Oakley.
Before that, I’d sing two nights and I could barely talk for the rest of the
week.”
His love of singing developed three years after he took up
guitar at the age of 13, when he got a chance to do “I’m in the Mood for Love”
with the trio he was in.
There was precedent in his family for both vocals and
instrumentals. His father plays banjo. And his aunt – Adeline Phelps – once
sang in the White House for President Franklin D. Roosevelt.
“When I got into singing,” he says, “I kinda lost my love
for the guitar. One of the reasons is you’re trying to do two things at once.
“The handicap of being a single is that sometimes I feel
tied to the guitar. I like to get out on the floor and move.”
* * *
IN A WAY,
Jon would like someone backing him up. For a while he had a band called the New
Experience. And before his most recent road trip, he’d worked with guitarist
Rudi Casper, doing more of a nightclub act, working with wireless mikes.
“I’ve always wanted a group sound for dancing,” he says.
“But I like to work one-to-one with the audience too and I never really program
my sets in advance.
“With a group sometimes it’s like working by numbers and if
it’s like that you might as well stay home. What’s nice about doing a single is
that I can sing four songs in one song and not worry about the changes.”
The singer who inspires him most is Frank Sinatra. For his
voice, yes, but also for his uncanny sense of drama.
“You seem to get a feeling that you know what it’s like to
be there where he is,” Jon says. “You can actually feel the vibrations, the
presence. Though I haven’t had Sinatra’s experience, people say it seems like I
take them there too.”
* * *
HE PLANS to
transfer that feeling onto tape in a month or so at
The flip side will be Richard Harris’ “My Boy.” Jon, at 29,
hopes it will give his career that elusive big break.
“When I first started,” he says, “I wanted to make it so
bad I couldn’t stand it. I had pains all over. Then I came to the realization
that I had my music and nobody can take that away from me.
“In this business, you have to believe in fate and you have
to believe in yourself. I love my life and I love my music. I think that kinda
sums it up.”
* * * * *
IN THE PHOTO:
Jon Kondal at the Showboat.
* * * * *
FOOTNOTE: My colleague Mark Sommer wrote in The
Jon still performs occasionally and you can still buy a house from him. He’s in his 33rd year as a real estate associate broker with Hunt ERA, where he spells his first name with an H. His booking agent Mary Stock is listed as Jon’s aunt in her death notice in 2013.
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