Dec. 6, 1975: Songwriters Lou Rera and Bill Torrico
This story got shunted back to the second page of the
TV Topics Pause section. Note the big ad for the long-gone Record Runner store
in the
Dec. 6, 1975
Local Songwriters Visit
Seek Record Contract After Win
“IT’S ALMOST A CINDERELLA TYPE setup,” Lou Rera exclaims. “It’s going to pay off for
somebody and I think it’s going to pay off for us.”
Actually, the payoff from the 1975 American Song Festival
already has begun for Rera and his songwriting partner Bill Torrico.
Two of the six songs they submitted to the festival –
“Lettin’ You Go” and “Send a Little Love My Way,” both in the easy listening
category – were among 288 honorable mention winners from some 60,000 entries.
For that they’ve won a small cash prize and the attention
of a music publishing company, which wants to buy three of their songs and put
them under contract.
* * *
BUT LOU RERA
and Bill Torrico think they’ll hold out for a little more, namely a recording
contract.
There’s no point in giving in now, not after holding out
for a break ever since they started writing together five years ago.
“When we started writing songs together,” Torrico says, “We
both had this same idea in mind of not playing out. We’d played around in other
groups and we didn’t want to play the Top 10 again.
“That’s why we haven’t played around locally. It would
defeat our purpose.”
* * *
SO RERA, a
bassist who’s 25 and teaches in
Until last year, that is.
Then they decided to make some professional quality demo
tapes and go to
People listened, at least, and liked the songs.
“Our goal,” Rera says, “was to get to Jimmy Ienner. He’s
produced a lot of different people well – Blood, Sweat & Tears, Grand Funk,
the Raspberries – and we figured his mind wouldn’t be stuck in one thing.”
Instead they got to an associate of Ienner’s who works for
Capitol Records.
“It was a freak thing,” Rera recalls. “He took to us, he
liked us personally and he liked the songs.
“We went down and saw him a lot of times after that, played
him tapes of new songs and picked up ideas of what we ought to do. He was the
one who suggested entering the Song Festival.”
Studio technique was another part of their strategy that
they sharpened in
* * *
THEY WATCHED
Ienner produce songs for Eric Carmen’s album, then applied what they saw to
their next sessions in Trackmaster Audio in
Their
The differences show in Torrico’s spacious plant-lined Town
of
The two that originally went to
But the newest tunes, taped last week, sound like they come
from the innermost essence of each voice and instrument.
They follow basic pop song form, but no two of them proceed
quite the same.
They have a common seduction in high, gentle harmonies
which sound a lot like the group
The differences are in the tilt of the words, the rhythms,
the sudden dramatic stops and some tasty instrumental breaks that recall both
early and late Beatles.
Elements of “Send a Little Love My Way” seem to have sprung
from “Strawberry Fields Forever.”
“It sounds strange,” Rera says, “but we’re a catalyst to
each other. One may have a basic idea, but by the time we’re done, it’s both of
us.”
“Then when it comes down to recording,” says guitarist
Dussault, “it’s really a compromise.”
“With us, it’s like the old cliché,” Torrico says. “You
believe in what you’re doing long enough and you make it.
“That’s what makes us feel good – the Song Festival and all
those judges. Now we know we’re on the right track.”
* * * * *
IN THE PHOTO:
Seated, Bill Torrico, left, and Tom Dussault. Standing, Bob Wiesner, left, and
Lou Rera.
* * * * *
FOOTNOTE: For Lou Rera, we need to look no further
than
“Rera’s varying career, which began in the ‘80s, has
moved him all across the country. He started out working with computer graphics
and did special effects for TV. Then he worked in advertising and went on to
become the art director for over 10 years at WKBW. There Rera worked on TV
production, commercials, news and branding.
Now retired, Rera’s IMDb bio notes that he “writes
horror, supernatural crime and subjects that delve into the darker side of
humanity. He is the author of AWAKE: Tales of Terror (2020), a collection of 13
chilling short stories, including an homage to Edgar Allen Poe. His novel, SIGN
(2014) [is] a supernatural thriller of deception and murder.”
Unfortunately, there’s no such trail on the internet
for Bill Torrico, except an indication that he’s been living in
As for the American Song Festival, I went to the
inaugural one in the amphitheater at
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