April 8, 1976 review: J. Geils Band and Peter Frampton in Memorial Auditorium
In sports terms, a truly colossal upset.
April 8, 1976
2nd-Billed Frampton
Beats J. Geils Band
He may have been second-billed, but guitarist Peter
Frampton was the reason why most of the 14,000 heavy rock fanciers were in
Memorial Auditorium Wednesday night.
The affable, golden-curled Frampton,
who left Humble Pie on the brink of their success, has unexpectedly shot to the
top himself this spring with a live album that’s Number One on the charts.
It’s a case of popular taste finally
catching up to him. Four years ago it was that he forsook heavy metal to steer
into gentler, more artful directions.
With a stockpile of favorites accumulated
since then, Frampton’s a safe, solid artist, a more conservative rave than one
might expect from these youngish fans, whose pre-concert celebrations left the
Aud area littered with hundreds of bottles and cans.
* * *
LIVE FRAMPTON was pretty much the
Frampton live album re-created. Same strategy – Frampton first, then the group.
Same excellent sidemen. Changes only in the selections. For instance, he
started acoustically with “All I Want To Be (Is By Your Side).”
His good cheer was infectious. Arms
went up to match his happy, arm-waving salutes. Cheers greeted his whimsical
mating of guitar and vocal with the wah-wah pedal.
But it was a short set. The “Shine On”
finale came after only an hour. Then there was just “White Sugar” and “Jumpin’
Jack Flash” for the two encores.
* * *
TIME WAS TIGHT because of the equipment.
There was a lot to move. That’s why starting time was shifted from 8 to 7:30
for the Steve Gibbons Band, a quintet of British rockers who were well-received
even though arrivals streamed in throughout their opening set.
Equipment handling also meant a long
wait between Frampton and the top-billed J. Geils Band, whose star has been on
the wane lately.
There was no exodus after Frampton,
however. The crowd stayed to boogie 75 minutes to Geils’ revved-up electric
blues.
Instead, they were dandies playing
roles. And their music, a greasy monument to their abandoned tastes, suffered
from internal disdain.
* * * * *
IN THE PHOTO: Peter Frampton in 1976.
* * * * *
FOOTNOTE: Was this review chopped
from the bottom? I daresay so. I’m sure I wrote more about the J. Geils Band. Although
I couldn’t resist cheering Frampton’s triumph – you always want to hail a new
champion – I still was a longstanding Geils fan, despite their surrender to pop
tastes.
“Frampton Comes Alive” became one of the
best-selling albums of all time and Frampton himself returned to Buffalo three
months later to headline a Summerfest concert in Rich Stadium.
The Geils Band was in its early days as an arena
attraction, having scored hits with “Give It to Me” in 1973 and “Must of Got
Lost” in 1975, but as Wikipedia notes, “the group seemed destined to be nothing
more than a party band until the release of ‘
No Frampton setlist from this date on setlist.fm,
but the one from Eisenhower Hall Theater at
All I Wanna Be (Is By Your Side)
Penny for Your Thoughts
Baby, I Love Your Way
Baby (Somethin’s Happening)
Doobie Wah
Lines on My Face
Show Me the Way
(I’ll Give You) Money
It’s a Plain Shame
Do You Feel Like We Do
(encores)
Shine On (Humble Pie song)
White Sugar
Jumpin’ Jack Flash (Rolling Stones song)
His show April 3 at Rose Arena in
No setlist for J. Geils Band on setlist.fm either.
Here’s their compilation of the band’s average 1976 setlist:
Southside Shuffle
I Wanna Dance
Must of Got Lost
Little Red Rooster
Let’s Have a Party
Whammer Jammer
Lookin’ for a Love
Give It to Me
(encore)
Start All Over Again
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