April 14, 1977 review: Chuck Mangione at Kleinhans Music Hall
Underneath
it all, Chuck Mangione was still a guy from the neighborhood.
April 14, 1977
Mangione
Orchestra,
Quartet at Home Here
It’s all in the family Wednesday night
in sold-out
Brother Gap, his Fender Rhodes piano
and his synthesizer sit smack in the center of Chuck’s 16-member wind
orchestra.
Out in the lobby is Chuck’s father,
the words Papa Mangione embroidered on his Chuck Mangione T-shirt. The shirts
are $4. The albums are $5. And Chuck will sign them for you after the show.
Which means that many spiffily-dressed
couples inundate Chuck for autographs when the lights finally come up. Chuck
doesn’t mind.
“Unless it happens somewhere else,” he
says at the start of his encore, “then it doesn’t happen at home.”
What Chuck is doing is taking home
with him. Brother Gap says they’re touring a little more than a week with the
orchestra and Chuck’s quartet, all by bus.
* *
*
MAYBE
THAT’S why Chuck comes out with his flugelhorn in a leather overnight bag. He’s
a familiar figure – long hair streaming from under a hat. There’s a new dazzle
in his choice of a short silver jacket and black satin pants.
There’s a different kind of sparkle in
this quartet, too. It’s a new foursome, mostly
Chris Vadala’s sax and flute are ready
counterparts for Chuck’s horn and piano and solos are most often passed to him.
He shines especially in the quiet, quavery flute sections of “Soft.”
Guitarist Grant Geisman is fast. His
flat pick moves at mandolin speed. It’s his 24th birthday, Chuck announces, and
leads the band in a chorus of “Happy Birthday to You.”
* *
*
THE
TWO SETS include a few old favorites like “Hill Where the Lord Hide,” which
makes a rousing first-half closer, and selections from his two newest albums – “Bellavia”
and “Main Squeeze,” which provide two tunes for the encore.
Lost in the sound mix is brother Gap’s
piano. He rings through only when he’s featured in “Sunshower.” The 16 horn
players stumble at the start before they maneuver smoothly.
The orchestra gives his music a brassy
grandeur and indulges the band director in Chuck. He counts down to them just
as if they were his former jazz band students at Eastman School of Music in
* *
* * *
IN
THE PHOTO: Chuck Mangione in an A&M Records publicity photo.
* *
* * *
FOOTNOTE:
Chuck Mangione’s rising star got an extra kick
after he made his move to A&M Records in 1975. His “Chase the Clouds Away” was a
background theme for the telecast of the 1976 Summer Olympics in
At this point, his old quartet with longtime sidekick Gerry Niewood had just given way to this new lineup
featuring young jazz guitar whiz Grant Geissman, bassist Charles Meeks, drummer
James Bradley Jr. and Chris Vadala, a highly-revered saxophonist and
There’s no setlist from any date on
this spring tour on setlist.fm, but the group was captured live for the
King Biscuit Flower Hour at the Bottom Line in
Hill
Where the Lord Hides
Chase
the Clouds Away
The
Day After (Our First Night Together)
Legend
of the One-Eyed Sailor
Soft
Feels
So Good
Hide
and Seek (Ready of Not, Here I Come)
Bellavia
The
XIth Commandment
Main
Squeeze
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