Oct. 3, 1977 review: Randy Newman and John Prine at Kleinhans Music Hall
After all these years, my mind still rings with the choruses of practically all of the songs on Randy Newman’s setlist.
Oct. 3, 1977
Newman-Prine
Concert
Is
Tailored for Cynics
The cultural schizophrenia that gives
Newman’s odd little songs their crackle may backfire on him this time. Despite
the brotherhood-of-man interlude in the center, the message can’t be hidden:
“Don’t want no Short People/ ‘Round here.”
What’s more,
* *
*
WHEN
NEWMAN repeats it for his second encore, the crowd claps along. He may wind up
with the only fan club that’s sued for having a height requirement.
Usually when Newman mines the depths
of social psychosis, the results are rich with irony and cynicism. Among the
better-known examples are “Rednecks,” which explores racism from a racist’s
point of view, and “Sail Away,” in which a slave trader promises African
natives a good life in
Newman, tall, curly-haired and
bespectacled with a checkered shirt, delivers his outrageous proposals over the
kind of schmaltzy piano solos that Stephen Foster might have hummed to himself.
In Newman’s “Old Kentucky Home,” however, the inhabitants get drunk at night
and knock each other down the stairs.
* *
*
HIS
QUIET portraits of crazed loners (“Old Man on the Farm”) are less successful
with the college-age crowd of about 2,000 at this Buffalo State
College-sponsored show. They hoot and make animal noises..
The best responses are to his cheery
early ‘70s lampoon of pollution (“Burn On,
“They all hate us anyhow,” he sings in
“Political Science, “so let’s drop the big one now.”
Singer-songwriter John Prine covered
some of the same territory in his opening set, but his outlook is far more
affectionate. The picture of bleak middle-age in his oft-sung “Angel From
Montgomery” is softened with compassion. He still performs it.
* *
*
STANDING
ALONE with his guitar, Prine applies his elementary strum and limited vocal
range to seven years of tunes that have established him as a major writer –
“Dear Abby,” “David and Lydia,” “Hello in There” and “Paradise,” which is part
of his encore.
His new numbers earn him friends also.
He sings about Sabu the Elephant Boy visiting “the Land of the Wind Chill
Factor” and about a car falling forever in “The Bottomless Lake.”
It used to be that Prine could only
perform while drinking beer and smoking cigarettes, but that’s no longer the
case. He’s cleaned up his act. His hair looks hot-combed. He’s so unruffled
that even a broken string on his first strum of the night fails to shake him.
Prine, who’s just signed with a new record company, appears ready for a
comeback.
* *
* * *
IN
THE PHOTOS: Undated Randy Newman photo from the mid-1970s. John Prine
performing at Grand Ole Opry in October 1977.
* *
* * *
FOOTNOTE:
“Short People” turned out to be Randy Newman’s greatest hit, climbing to No. 2
on the Billboard charts. Although it was meant to be a satire on prejudice, it
was widely taken as an endorsement of bias, especially by height-challenged
folks like my friend Barbara.
There’s no setlist for the Kleinhans
show at setlist.fm, but here’s what he played a week earlier at the
Yellow Man
You Can Leave Your Hat On
I’ll Be Home
Jolly Coppers on Parade
Simon Smith and the Amazing Dancing
Bear
Marie
Old Kentucky Home
Guilty
A Wedding in
Rednecks
Political Science
Sail Away
Lonely at the Top
Linda
Davy the Fat Boy
Sigmund Freud’s Impersonation of
Albert Einstein in
Short People
I Think It’s Going to Rain Today
Song info from John Prine’s 1977 dates
is scarce on setlists.fm. The site doesn’t even mention his stop here in
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