Nov. 7, 1977 review: Jonathan Richman and the Modern Lovers at Buff State
Another night on the cutting edge at
Nov.
7, 1977
Concert Was ‘Milk Shake’ With Ho-Hos
Jonathan Richman, the most precious of
the alternative rock ‘n rollers, stopped a chocolate milk shake of a concert
Saturday night in Buffalo State College’s Upton Hall to ask a question of the
crowd of 350 or so. He wanted to know why they were laughing.
“You’re funny,” someone in the left
center replied. Richman accepted the rationality of that. The real reason,
however, was that this Boston-bred singer and bandleader was exorcising the
gawky, awkward kid in each member of this sophisticated crowd.
The laughter was easy through the
first thrilling bubbles of the milk shake – “Ice Cream Man,” “La Bamba,” “New
England" and "The New Teller,” in which Richman sang about how his latest crush
kept him waiting in the longest line in the bank.
Richman, with his furry adolescent
moustache, curly hair and
He took off his sneakers instead. He
momentarily signed autographs at the edge of the stage, but decided that wasn’t
right. “I never did this before,” he said, calling off the fans as the crowd
got restless. “Now we know why it’s not a good idea.”
The center of the chocolate milk shake
proved, as always, to be a matter of love and endurance. The sublime force of
it began with Richman stepping forward to tell the soundman to turn the volume
down. “If it seems like time when you should turn it up – don’t,” he advised.
What followed was the softest, most
pastel rock ‘n roll this reviewer has ever witnessed, like a garage band
running through ‘50s love songs while somebody’s parents were sleeping
upstairs.
The romance was deep and sincere –
“Angels Watchin’ Over Me,” “Fly Into Life’s Mystery,” “The Morning of Our Lives,”
“Important in Your Life,” twice through “My Love Is a Flower That’s Beginning
to Bloom.”
A few abandoned the milk shake before
the end, which was a mistake because there’s always the syrup at the bottom. In
this case, it was a trio of Chuck Berry tunes with guitarist Leroy Radcliffe
strutting his well-chosen ‘50s riffs.
The encores brought drummer D Sharp
forward for an untrained Ventures-style trombone solo, to which Richman
responded on drums. The final slurp was his fabled cruising number,
“Roadrunner,” where the road and the radio set him free. Like Peter Pan on the
turnpike, he has no intention of ever growing up.
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IN
THE PHOTO: Jonathan Richman and the Modern Lovers in 1977.
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FOOTNOTE:
At this point, Jonathan Richman was well into his turn away from the harder
edges of punk-rock. A year earlier, that shift prompted the departure of original
Modern Lovers drummer David Robinson, who went on to help Ric Ocasek start the
Cars. His replacement, D Sharp, actually was an avant-garde jazz player who later worked with Pink Floyd's Nick Mason and was a member of Carla Bley’s band. Richman continues to perform occasionally and
released a new album in 2022. He now lives in
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