Oct. 31, 1977 review: Horslips at Buff State
Thanks to a variety of distribution deals, Record Theatre mogul Lenny Silver’s Amherst Records label promoted a stream of obscure musical artists, some of whom – like this one – have become recognized as gems.
Oct.
31, 1977
Irish Band Powerful in Free Show
The Irish quintet Horslips showed a
Beggar’s Night crowd of 500 in a free concert at Buffalo State College Sunday
what makes them the biggest rock band on the Emerald Isle. No leprechaun
trickery for these lads, just the force of music.
Adding mandolin, violin, concertina,
flute and tin whistle to the standard rock instrumental formula, they laced the
wallop of their attack with traditional folk airs. It’s not often you see a
band with a rhythm mandolin. Or a guitarist playing unison riffs with a flute.
In their black leather jackets and
jeans, they seemed a cross between a punk band (they follow the New Wave
ardently) and Jethro Tull (whose “Locomotive Breath” they gave as a second
encore). But they’re more complex than the punks and more tasteful than Tull.
Give them a dynamic lead singer and they’d be stars.
More vigorous and vital than the
British folk-rock bands, they unreeled selections from their forthcoming
“Aliens” album and offered about half of the epic they trace in their current
“The Book of Invasions.”
The free show organized by their
Guitarist John Fean and bassist Barry
Devlin thought so too. Sound problems hampered them, they said.
Fiddler-mandolinist Charles O’Connor continually ducked back to hear what was
coming from his amp. This after an hour and 20 minute delay while the sound
crew went troubleshooting. On Beggar’s Night, it seems, one can’t be choosy.
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IN
THE PHOTO: Horslips in a 1975 publicity shot.
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Setlist.fm
doesn’t acknowledge the
Warm Sweet Breath of Love
King of Morning
Sword of Light
Sideways to the Sun
Trouble (With a Capital T)
The Wrath of the Rain
Speed the Plough
The Rocks Remain
Dearg Doom
Blindman
Mad Pat
Drive the Cold Winter Away
King of the Fairies
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