Jan. 26, 1978 review: Kiss at the Aud
Kiss at the peak of its powers and popularity.
Jan.
26, 1978 review
Fiery
‘Kiss’ Melts Ice
Out
of
What a difference a night makes. A
mere 24 hours earlier, it was sudden death overtime in Memorial Auditorium.
Wednesday finds the NHL All-Stars gone with nary a trace, leaving only the
This time the attraction is fire, not
ice. Kiss, the most popular rock band ever to paint its faces, packs more
pyrotechnics into its act than anyone else around. The Aud is its 43rd
straight sell-out.
Though no official figure is
available, it’s quite possible that the announcement of a record crowd is
correct. With standees packed shoulder to shoulder all the way from the fence
in front of the stage to the back of the floor, they may have drawn close to
18,000.
Median age of this youthful crowd,
which includes a fair number of parents with grade-schoolers, appears to be
about 15½. Best situated are the ones who milled about on the steps of the
building some two hours before the start of the show.
Kiss makes it worthwhile to be down
front. The folks there are barraged with goodies. The band flings away guitar
picks as if they were watermelon seeds.
They also toss towels, drumsticks, a
fireman’s hat and even a teddy bear. There’s a shower of confetti. And finally,
there’s singer Paul Stanley’s guitar, smashed to the stage Peter
Townshend-style and lofted to some lucky fan crushed against the barrier.
Kiss must be credited for not
repeating its “Alive II” album song for song, but it comes close. Opening in a
burst of flame and fireworks with “I Stole Your Love,” it reviews most of Side
One – “King of the Night Time World,” “Ladies Room” and “Love Gun.”
Bassist Gene Simmons, swaggering in
his tall beastie boots and forever flashing his long tongue, remains this
reviewer’s favorite.
Simmons is the Darth Vader of rock ‘n
roll. He repeats his flame-breathing act (as do a couple of kids in the crowd),
but he doesn’t spit blood this time. He only covers his chest with it for the
encore.
Otherwise, the show meets
expectations, but fails to generate the awe that marked the group’s last visit
to the Aud. Their mechanisms have become pretty much pro forma – the cordless
instruments, the rising platforms, the fog, the many flashes of fire, the
roll-out mountain of drums for Peter Criss’ solo.
No wonder guitarist Ace Frehley looks
detached. It takes the show-closing teen anthem “Shout It Out Loud” to provoke
some passion. The kids yell “I Want You” just as loud as they do on the record.
The blazing finale looks just like it does on the record jacket.
The shock seems gone from Kiss. After
four years of teen outrage and anarchy, they’ve become a conditioned response.
A bigger sensation is what may have been a glimpse of the group without their
makeup as they pass the backstage gate.
It happens just after the start of the
Rockets, a creditable blues-rock opening group, some of whom used to be Mitch
Ryder’s Detroit Wheels. In parade these sallow-faced, frizzy-haired nondescript
guys in expensive coats. Could this really be them?
Well, it could just as easily be
someone else. Like the gray-haired man with the Kiss tour tag leading a party
of four through the gate moments later.
“Are you Kiss?” someone asks.
“In a way,” they reply, “we are.”
* *
* * *
IN
THE PHOTO: Kiss onstage in the Alive II tour.
* *
* * *
FOOTNOTE:
The Alive II tour had begun back in mid-November and the band took only the
slightest breaks for the winter holidays. There were only four more dates after
The
Alive II tour setlist, according to Wikipedia:
I Stole Your Love
King of the Night Time World
Ladies Room
Firehouse
Love Gun
Let Me Go, Rock ‘n Roll
Makin’ Love
Christine Sixteen
Shock Me
I Want You
Calling Dr. Love
Shout It Out Loud
God of Thunder
Rock and Roll All Nite
(encore)
Beth
Black Diamond
Comments
Post a Comment