July 28, 1972 review: Randy Newman and John Prine in the Fillmore Room at UB
The new biography of singer and songwriter Randy
Newman prompted our old friend and WBFO honcho David Benders to recall that Newman
played the Fillmore Room in 1972. I was there too.
July 28, 1972
Songwriting Geniuses Newman, Prine Meet
Randy
Newman was bouncing out “Political Science” (They don’t like us anyhow, so let’s
drop the big one now”) in the spotlight, but wait – over there in the shadows,
there’s John Prine, listening intently.
It
finishes and Prine takes another cigarette, lights it and smiles as he joins the
applause, much like Newman did as he watched Prine’s set.
Superlatives
would make the meeting of Newman and Prine in the Fillmore Room of UB’s Norton
Union Thursday night seem a bit ludicrous. No summit meeting, please. More like
two genius songwriting loners running into each other behind the garage.
The
crowd from the first show said Prine was brilliant, Newman not so good. Too
sarcastic. Newman’s second set, however, was at least the equal of Prine’s,
although there were still a few people talking through the quiet parts, still a
few people walking out.
Prine is
bolder, easier to understand. Maybe that’s from growing up in Chicago.
There’s
no doubt about something like his leadoff “Spanish Pipedream,” with its harsh humor
echoing early Bob Dylan and glorifying simple country life. Or the desolation
of a long and empty marriage in the next song, “Angel from Montgomery.”
And
Prine was looser. Faded jeans, denim jacket, boots, eyes closed as he automatically
picked his guitar and sang in his raspy voice. A little into the beer, but he’s
better that way, it seems. He drank from one can, set his cigarette on the
other.
A
spontaneous singalong swelled the chorus of “Illegal Smile.” Applause for the
start of “Sam Stone,” his classic about a Vietnam vet who comes home a heroin
addict (“There’s a hole in daddy’s arm where all the money goes.”)
His raps were funny and
carried him through a length change of a guitar string. He broke the same one
on the same song in both sets.
After an hour of Prine,
Newman seemed quieter, subtler, more evasive and ironic. Maybe that comes from
growing up in Los Angeles.
Hard to tell if the
curly-headed Newman is really joking because of all the undertones. He’ll lean
his head back, close his eyes behind his glasses and put his mumbling style to
something like “Lover’s Prayer,” and it’s both funny and desperate.
His intro to “Suzanne”
best explained the warp of his love songs: “This is like Leonard Cohen’s ‘Suzanne,’
only on a lower moral plane.” In one called “Lucinda,” the hero loses the girl
when they’re swept up by a beach cleaning machine.
Mostly, however, lust
makes his love songs funny. And simple descriptive touches make his lonely
songs extraordinarily sad. The last song before his encore, “I Think It’s Going
to Rain Today,” made the room very small and quiet.
His running jokes about
his non-stardom and his piano playing coalesced into a long intro to “Sail
Away,” which he envisioned as a 10-minute sequence in a movie made with other
big pop stars like Elton John (“I call him Elton. Or Elt.”)
During intermission, the
sponsoring UUAB Music Committee announced that it has a 1972-73 budget four
times bigger than ever before. The Newman-Prine promises to be the first of
many great UB concerts this year.
* * * * *
IN THE PHOTO: Randy Newman in Amsterdam in March 1972.
* * * * *
FOOTNOTE: Setlist.fm offers just one song,
"Political Science," from Randy Newman's UB date. However, you can
hear a complete show from July 29 at the Lenox Music Inn in Lenox, Mass., on a
website called wolfgangs.com. Seven of the songs are from his "Sail
Away" album, which had come out in May:
Lover's Prayer
You Can Leave Your Hat On
He Gives Us All His Love
Yellow Man
Lucinda
Living Without You
Simon Smith and the Amazing Dancing Bear
Love Story
Suzanne
My Old Kentucky Home
Sailor Story
Sail Away
Lonely at the Top
Davy the Fat Boy
I Think It's Going to Rain Today
Political Science
Last Night I Had a Dream
There are two songs from John Prine on setlist.fm from that night at UB – "Your Flag Decal Won't Get You Into Heaven Anymore" and "Sam Stone." A better indication of what Prine was doing in those days comes from Sept. 11 at the Bitter End in New York City:
Spanish Pipedream
The Torch Singer
Illegal Smile
Donald and Lydia
Sam Stone
Take the Star Out of the Window
Rocky Mountain Time
Pretty Good
Hello in There
Six O'clock News
Everybody
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